Sovereigns and their suite passing in front of the monument to Victor Emmanuel II in Sassari.

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The documentary depicts monuments and heritage artwork that have been closely related to the history of the Republic of Estonia. Estonian sculptors, former political prisoners, social scientists and art historians share their memories in the film. Why do we need our monuments? What kind of attitude has been towards Estonian monuments and heritage artwork during the changing times in local history? Memorial columns can be victims of ideology. Estonia has been governed by several state authorities during the 20th century, all of them have left their own monuments. The destiny of numerous military monuments in East-Europe has become a current issue.

In 1999, as Israel's occupation of southern Lebanon crumbles, architect Yacov Rechter is commissioned to build a soldiers' memorial. His son Amnon urges a monument for all war victims instead.

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

The film tells the story of a key figure associated with the Brazilian medium Chico Xavier: the spirit Emmanuel, also known as his mentor.

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根据一个真实的故事，一个来自波多黎各的移民少年被迫在1962年布鲁克林的黑暗街道上生存。被帮派的力量和海洛因的毒瘾所奴役，他必须在摧毁他的家庭和自己之前找到信仰和自由。

The inspiring true story of Víctor Torres - a migrant teen from Puerto Rico forced to survive the dark streets of Brooklyn in 1962. Enslaved by the power of gangs and the addictions of the neighborhood, he must now find freedom before he destroys his family and himself.